Fluid, powerful, and accurate strokes are the combination of many factors. But it all starts with how you hold the racquet.
No matter how much time you spend finding the perfect frame to beef up your game, the most important part of your racquet just might be your grip—not what the handle is made of, but how you hold it. Although they’re largely overlooked, grips are the foundation of all the strokes in tennis. Where you position your hand on the eight-sided handle has a huge impact on each ball you hit. Your grip affects the angle of the racquet face, where you make contact, and ultimately the pace, spin, and placement of your shot. The difficulty with grips is choosing the right one for a particular stroke. The fact is, there is no perfect grip; each has its advantages and limitations. But some are clearly better-suited for certain strokes and styles of play than others. This guide will help you to (1) learn to grasp the racquet for each grip correctly, and (2) determine the best uses of each of the common grips.
FINDING THE GRIPS
There are various ways to explain how to find a certain grip, but the simplest and most reliable is to use the base knuckle of your index finger as the main reference point. The diagrams for each grip show the bottom view of a racquet handle (where the butt cap is attached), which has four main sides and four narrower bevels between the sides.
CONTINENTAL GRIP
The Continental is the one grip that you can use for every shot, but that hasn’t been standard practice since the days of long pants and skirts. The Continental is used primarily for serves, volleys, overheads, slices, and defensive shots. Find the Continental by putting the base knuckle of your index finger on bevel No. 1, which puts the V created by your thumb and forefinger on top of the handle. Lefties put the knuckle on bevel No. 4.
PLUS: Hitting with the Continental grip on the serve and overhead is standard, as it allows your forearm and wrist to naturally pronate through contact. This results in a more explosive and versatile shot with the least amount of stress on the arm. It’s also the preferred grip on volleys since it provides a slightly open racquet face for underspin and control. Since you need quick hands at net, having the same grip for forehand and backhand volleys is also crucial. As mentioned, your grip affects the angle of the racquet face. The more closed the face, the higher and farther in front of your body your strike zone should be for proper contact. Since the racquet face is relatively square on a Continental grip, for ground strokes the strike zone is low and to the side of the body. That’s why it’s helpful for defensive shots, low balls, and wide balls that you’re late on.
MINUS: You can hit flat or with slice using the Continental, but it’s tough to put topspin on the ball. That means hitting with power and keeping the ball in play requires you to aim the shot just above net level, leaving you little margin for error. And without that safety spin, returning a ball out of your strike zone can be difficult. So lack of consistency is often a problem.
PROS WHO USE IT: Virtually all of them, on serves and volleys.
EASTERN FOREHAND GRIP Place your hand flat against the strings and slide it down to the grip; put the racquet flat on a table, close your eyes, and pick it up; or shake hands with the racquet. These are just a few of the tricks you can use to find an Eastern forehand grip. The more technical way is to hold the racquet in a Continental grip and then turn your hand clockwise (counterclockwise for lefties), so that the base knuckle of your index finger slides over one bevel.
PLUS: This is generally considered the easiest grip for learning the forehand. It’s versatile, allowing the player to brush up the back of the ball for topspin or flatten out the shot for more power and penetration. It’s easy to switch quickly to other grips from the Eastern, making it a wise choice for players who like to come to net.
MINUS: The strike zone is higher and farther out in front than with the Continental grip, but it’s still not a great option for returning high shots. An Eastern forehand can be very powerful and penetrating, but because it tends to be a flatter stroke it can also be inconsistent, making it difficult to sustain in long rallies. It’s not the best choice for players looking to put a lot of topspin on their shots and outlast their opponents. PROS WHO USE IT: Tim Henman, Lindsay Davenport
SEMI-WESTERN FOREHAND GRIP
Moving your knuckle one more bevel clockwise (counterclockwise for lefties) from the Eastern forehand grip puts you in a semi-Western grip. This has become a prevalent grip for power baseliners on the pro tours, and many teaching pros encourage their students to use it.
PLUS: The semi-Western allows a player to apply more topspin to the ball than the Eastern forehand grip, giving the shot greater safety and control, especially on lobs and short angles. Still, you can drive through the ball with this grip to hit a flat drive for a winner or passing shot. It also affords a player the option of taking a bigger swing at the ball since the topspin will help keep it in the court. With a strike zone higher and farther out in front of the body than the Eastern forehand, it’s good for controlling and being aggressive with high shots.
MINUS: You can run into trouble returning low balls. Since the grip naturally closes the racquet face, forcing you to swing up from underneath the ball, it can be difficult to return lower shots. This, along with having to make a significant grip change to get to the Continental for a volley, is why so many power baseliners are uncomfortable coming to net.
PROS WHO USE IT: Marat Safin, Svetlana Kuznetsova
WESTERN FOREHAND GRIP
From a semi-Western grip, shift your knuckle one more bevel clockwise (counterclockwise for lefties), and you’ve got a full Western grip. Looking down at the racquet, your knuckle should be on the very bottom of the grip. This puts your palm almost completely under the racquet. Clay-court specialists and players who hit with heavy topspin favor this grip.
PLUS: This is an extreme grip that puts a lot of action on the ball. The positioning of the wrist forces the racquet to whip up the back of the ball severely, generating tremendous topspin. You can hit the ball well above net level and it will still drop into the court. The resulting shot will usually have a high and explosive bounce, pushing your opponent behind the baseline. The strike zone is higher and farther out in front than all other forehand grips. The ability to handle high balls is what makes this grip so popular with clay-courters and juniors.
MINUS: Low balls can be murder. That’s why professionals with this grip generally don’t do well on faster surfaces, where the ball stays low after the bounce. Also, you need tremendous racquet-head speed and wrist strength to generate adequate pace and spin. Otherwise, your shots will land short and your opponents can attack them. For some, it’s also difficult to flatten shots out, so putting balls away becomes a problem. And just as with the semi- Western, transitioning to net and hitting an effective first volley is a major challenge.
PROS WHO USE IT: Rafael Nadal, Amelie Mauresmo
EASTERN BACKHAND GRIP
From a Continental grip, shift your knuckle one bevel counterclockwise (clockwise for lefties) so that it’s on the very top of the grip. If you drilled a nail through that knuckle, it would go right through the center of the grip (just don’t try that at home).
PLUS: As with the Eastern forehand, this is a versatile grip that provides good stability for the wrist. You can roll the ball for some spin or hit through it for a more penetrating drive. Some players can slice with an Eastern grip, but if not, a subtle grip change over to the Continental is easy enough to do. This grip also can be used for a kick serve, and it makes the transition to net for volleys a relatively smooth one.
MINUS: While solid for handling low balls, an Eastern backhand grip is not ideal for hitting topspin shots from around the shoulders. It can be difficult to control these balls, and many times a player is forced to slice them back defensively. You see this most often when players return kick serves that jump up high in the strike zone.
PROS WHO USE IT:Roger Federer, Lisa Raymond
EXTREME EASTERN OR SEMI-WESTERN BACKHAND GRIP
The backhand’s answer to the Western forehand (a reason some refer to this as a semi-Western backhand), the base knuckle of your index finger moves one bevel counterclockwise from the Eastern backhand (clockwise for lefties). It’s an advanced grip that only stronger and more accomplished players tend to use.
PLUS: Just as with the Western forehand grips, this is a very popular choice with clay-court players. It naturally closes the racquet face more than a regular Eastern backhand and moves the strike zone higher and farther out in front of you, making it more conducive to handling high balls and returning them with topspin. Some of the most powerful backhands in tennis are held with this grip.
MINUS: Its limitations are similar to those of the Western forehand. It’s not well-suited for low balls, and because it’s a rather extreme grip it’s difficult to make quick changes for a transition to net. Players with this grip usually have long, elaborate swings and prefer the baseline.
PROS WHO USE IT: Gustavo Kuerten, Justine Henin- Hardenne
TWO-HANDED BACKHAND GRIP
There’s no doubting the popularity of this grip, but there is some debate about the ideal way to position both hands. One of the most accepted ways is to hold the racquet in your dominant hand with a Continental grip. Then take your nondominant hand and put it above your playing hand in a semi-Western forehand grip.
PLUS: This is an excellent choice for players who aren’t strong enough to hit a one-handed backhand. A more compact stroke than the one-hander, the two-hander relies on shoulder rotation and an efficient swing to provide power. That’s why it’s particularly effective on the return of serve. It’s also good on low shots, and the extra arm lets you power through on balls that are at shoulder level.
MINUS: Because both hands are on the racquet, the two-hander limits a player’s reach. So doing anything with wide shots can be tough, especially since it’s difficult to rotate your upper body when stretched. Also, two-handers can become dependent on topspin. Hitting an effective slice calls for extending through the shot with a steady front shoulder. This is unnatural for two-handers, who are taught to open their hips and rotate their shoulders. Taking the nondominant hand off the racquet to hit the slice or volley is also troubling for many twohanders; it’s the reason why they’re generally not comfortable at the net.
When looking to buy a raquet, you should figure out the level of play you are at.
Beginners might want to choose a head that is wider, which reduces the chance of missing the ball. More experienced players might want to choose a more narrow head which has more power and accuracy.
The material used for the raquet are nowadays synthetic materials such as composites and others. Wood is out of date, but you can always go old school.
Younger players might want to choose a raquet that is lighter so it is easier to hit the ball. As you grow older, you will become stronger, and a heavier raquet will be needed.
To be successful in the modern game players have to have an effective serve.
They have to be able to hit the ball hard but also with amazing accuracy.
The more points you can take on your serve with service winners and aces, the harder you will be to beat.
STEP ONE
It is the one shot in tennis that you are in total control of, so do not waste the opportunity by rushing. Spend time getting your set-up right and getting your mind focused on what you are trying to do and where you are trying to hit the serve. Have your front foot at an angle but have your back foot running parallel to the baseline. Point your racquet forwards to the target and use your spare hand to balance by lightly supporting the throat of the racquet. This can be difficult to begin with, so it is fine to have a slight forehand grip, but look to move it around as soon as possible.
STEP TWO
The key from here is balance, timing and rhythm. Raise your hands up together just a short distance then bring them down together. As you do this start to turn your body away from the court so that you are sideways onto it. You also need to be transferring your weight from your front to back foot. Try to feel a smooth, co-ordinated action, all the different parts of your body should be working together not against each other.
STEP THREE
Once you have made the sideways turn and your hands have reached their lowest point, you need to separate your arms and bring them back up in different directions.Your left arm should be straight to enable you to accurately throw the ball up in the correct spot. The ball should be slightly in front of you and to a height about six inches above your outstretched racquet. Your right arm needs to come back into a throwing position. This is the most difficult part of the action because at the same time as co-ordinating your arms you need to transfer your weight from your back foot on to your front.
STEP FOUR
As the ball reaches the top of the throw up, accelerate the racquet head at the ball in a throwing action. Look to reach up to the ball as you hit - the higher you make contact the more power you can generate.
STEP FIVE
Follow through across your body, then look to recover quickly ready for your next shot.
Tennis Serve - intosport.com Tennis Academy - How to serve
The best forehand and backhand volleys in the world are not a full swing, but a firm block of the ball.
First of all, you need to wait for the ball to get to your side, otherwise you'll be chasing it forward, rather than blocking it firmly.
If you wait for the ball to get near you and then you'll hit it by locking your wrist and your arm, the trunk of the body connects to the impact, generating more power than a loose and swinging arm.
On the forehand side, make sure your elbow is tucked in to the front of your body.
A floating elbow will give you plenty of errors and more difficulty controlling the shot.
It is good to hit across the ball, this meaning that the butt of the racquet moves a couple of inches to your left, as if you were hitting the palm of your other hand with it.
Remember that the main factor for power is not swinging at the ball, but the weight you connect to the volley block.
The placement of your volley is totally dependent on the angle of your racquet, not on the direction of your stroke.
Volleying a hard passing shot, after finding the ball path with your racquet, the hand may go on a very short motion, tightening up when you meet the ball.
On a high and slow volley you would need more of a follow through, but always tightening the grip and arm muscles when you meet the ball.
Tennis Tips: The Volley, Part One
Tennis Tip by Brent Abel - The Tennis Volley 1st Reaction
The backhand is generally more difficult to learn than the forehand. There are three distinct strokes: the one-hand topspin stroke, the two-handed topspin stroke, and the slice which is best achieved as a one-handed stroke).The most popular shot now among advanced players is the topspin stroke. Many of today's top players have two-handed stroke. The advantages are obvious and so are the limitations.
For most players, this stroke is an intimidating shot. The fear is not necessary. The motion is not foreign; in some ways we do the same thing when we throw a Frisbee or deal cards. The keys to overcoming this anxiety are the mastery of footwork, shoulder turn, racket preparation, and follow through. After that, the rest is merely practice.
A few basics that apply to all tennis shots: watch the ball at all times; always take the ball with your momentum going forward, if possible; always take the ball on the rise. Practice looking the ball into the racket face by simply bouncing a ball off the face of it until you can do it 100s of times without missing.
The One-Handed Topspin Backhand Stroke
The most popular shot now among advanced players is the topspin backhand. Basic information about this stroke: the racket starts below the ball; the player brings the racket up and through the ball, closing the face of the racket on the follow through. The shot will take an overspin that will bring the ball down. The sweep of the racket from below to above will determine the trajectory.
1. Starting Position
Wait for the ball by standing on the center strip holding the racquet with both hands in front of your body as loose as possible. At this point, you are waiting for a shot so you can switch your grip easily for a forehand or a backhand grip. By letting the arms hang and the knees relax then let the torso bend forward the same degree as the upper legs to get balanced. When the body is balanced the arms can swing freely.
The majority of your weight must be on your toes toes- do not stand flat-footed. Your knees must be slightly bent.
2. Get the racket back
Once you see that the ball is going to your backhand, get the racquet back in anticipation of the shot with your backhand grip ready. For the average player, getting the racquet back is a must to enable him to hit the shot in position.
As soon as you get your backhand grip on the racquet you should bring the racquet and shoulders back so that you will be ready to strike the ball when it arrives. The fingertips of the non-dominant hand should remain on the throat of the racquet until you swing forward at the ball.
The shoulders should be turned a little more so that your upper body is facing slightly away from the ball. Your toes should be pointing perpendicular to the direction that the ball is traveling. The foot closest to the ball (right foot for righties) should be positioned slightly in front of the body with the other foot trailing behind the body. The knees should be bent moderately. The elbow on the dominant arm is kept near the body and bent comfortably. Keep your elbow close to your body until follow-through.
The racquet should be held slightly below the point of contact and follow a strictly low-to-high swing pattern. The face of the racquet should be perpendicular to the ground. If the racquet face is tilted up or down then you will likely hit the ball too high/long or into the net. Eyes should remain focused on the ball.
3. Position when hitting the ball
After you have your racquet back in the ready position it is now time to move yourself into the appropriate position to hit the ball. You can get yourself into better position if you have your racquet back before you move to the ball. Without having your racquet back, you don't have a good notion of where you need to be.
When moving into position, you should strive to be as smooth as possible. You want to glide into position while always maintaining your balance. Staying up on your toes will help you achieve this.
Ideally, you would like to position yourself so that when you bring your racquet straight around your body, you will contact the ball on the sweet spot of the racquet and about a foot in front of the body. For lower balls you should bend your knees to get your upper body down to the level of the ball. You do not want to "scoop up" low balls by bending over and using a non-horizontal swing.
4. The swing
The backhand swing should be powered by the body -- not the arm or wrist. The wrist must remain locked in position. The idea is to turn your upper body, making it pull the racquet around and through the ball (sometimes refered to as uncoiling). Your upper body should slingshot your arm forward.
When you contact the ball, the tennis racquet should be about a foot in front of the front edge of your body. At this point, the racquet must be square to the direction you wish to hit the ball. If your racquet is tilted up, down, left or right then the ball is going to go in that direction. Once again, keep your eyes on the ball.
Just prior to contact is when many players will look up to see where they want to hit the ball, especially when their opponent is at the net. Don't do this! This is probably the most common cause of mishits. You must watch the ball all the way into the strings of your racquet. In fact, many teaching pros will tell you to leave your eyes focused on the point of contact for a full second after you have hit the ball.
5. The followthrough
Just like baseball, golf, and many other sports, you will want to followthrough after you have struck the ball. You don't want to jolt the racquet to a sudden stop right after you contact the ball. Let the racquet go "through" the ball while traveling from low to high. To maintain balance, let the non-dominant arm swing behind the body while the dominant arm (and racquet) swing to the front.
Tennis Tips: One Handed Backhand
Tennis Tips: Two Handed Backhand
Tennis Tips: Crossover on the Backhand
Tennis Backhand Topspin Drive - Taking It On The Rise
FOREHAND TECHNIQUES (Listed in their order of importance)
Watch the ball all the way to the strings (watch impact)
Maintain a firm wrist through the entire stroke; backswing, hit, and follow-through (solid strokes)
Turn TM2 to the proper o'clock position (turn sideways)
Use full strokes; follow-through completely (complete strokes)
React quickly; get your racket back and wait (early preparation using a two-step stroke)
Hit the ball with an awareness of racket pitch at impact (open racket face at impact)
Use the wrist to point the racket low on the backswing
Recover quickly back to the ready position
Check your grip after each and every shot
Use low to high strokes (let the ball fall into your strings)
How to learn this?
1. Put the butt of the racquet on your right hip (if right-hander) and just rotate your body to see how the racquet moves forward and backward together with the body.
2. Have someone toss you a balland you try to bump it with the racquet (still on your hip!) by just rotating your body backward and forward.
3. Hold the racquet away from the body at the comfortable distance and again try to hit the ball just by rotating your body.
4. Combine this feel with your arm movement and try to use mostly body rotation for power.
I'm On Your Side Tennis w/ Dan Brown Modern Forehand Lesson
Federer forehand - slow motion
Novak Djokovic - Slow Motion Forehand
James Blake - Slow Motion Forehand Side View
Carlos Moya - Topspin Forehand
Andy Murray - Forehand Training in Slow Motion
Andy Roddick - Slow Motion Forehand Side View
Novak Djokovic - Slow Motion Forehand
Roger Federer - Air Forehands
Ivan Ljubičić - Slow Motion Forehand
How to get a natural forehand swing for great tennis!
Tennis Warm Up Drills on Mini Court Warm up your body and mind...
When you get on tennis court to start your practice it is recommended that you start with mini tennis. Playing in the short court warms up your joints (especially wrists), your muscles and your "brain". Yes, your brain must start working much faster than it works in ordinary daily activities.
Tracking the ball, coordinating your body, keeping balance, calculating the timing of the shot are only few of many operations that your brain needs to perform in a very short amount of time.
There are different purposes of each drill but they do have many things in common. You practice something challenging on a short court, you develop feel and touch and you are focused on the exercise. Your concentration is also »warming up« for the main part of the practice.
1. Serve & volley on mini court Serve under hand and approach the net. No hard hitting, only touch and placement. Change serve after each point, play to 7 or 11.
Main purpose:
Practice approaching the net, play controlled volleys and overheads, develop touch for passing shots and lobs…
2. No Volleys on Mini Court This is the opposite of the upper drill – you are not allowed to play a volley or an overhead. Serve starts with a drop from the net. Play to 7 or 11.
Main purpose:
Practice moving back and playing half volleys. Use lots of spin to attack in the short court. If you end up rallying from the service line test your patience…
3. Two Bounces on Mini Court Play in both service boxes. You always have to hit the ball down into your court first. No volleys! Play to 7 or 11.
Main purpose:
Excellent drill for practicing coordination, top spin and footwork.
4. Cross and Alternate
Play in the diagonal (opposite) service boxes. You always have to alternate your strokes – one forehand and one backhand. If you play two forehands (or backhands) in a row you lose the point. Play one game to 7 in one direction (for example from deuce side) and one to 7 from advantage side.
Main purpose:
Great for footwork, coordination, ball control and tactics!
5. Volley at Your Court Players must volley the ball into their court first. No bounce on the other side! Play to 7 or 11. Start with a feed down the middle.
Main purpose:
This tennis drill is excellent for improving your anticipation, reaction and touch when you have to play close to the net. It teaches you to quickly react to the ball and not let it fall down. Your reaction time at the net will thus improve.
6. Catch & Throw
One player plays with a racquet and the other has to catch the ball and throw it over. Two rules: ball MUST bounce once and wherever you catch the ball, from there you must throw. That means that you can't move closer to the net after you've caught the ball.
Main purpose:
This drill is very good for hand eye coordination which is the foundations of good tennis skills.
And it's fun too. ;) Play to 7 and switch.
7. Forehand Only (or Backhand...) Two players play crosscourt and can use only forehand. (on the deuce side for righthanders)
You also cannot come to the net, the ball must bounce once.
Main purpose:
This tennis drill is very good for footwork and precision play. Tactics also comes into play.
Play to 7 and then swith to backhand crosscourt.
Tennis training video – “Warm-up 1”
Tennis training video – “Warm-up 2”
Tennis training video – “Nadal Warm-up 1”
Tennis training video – “Maria Sharapova Warm-up”
Tennis training video – “Nadal - Forehands Warm-up”